The heavy stoner-psych powerhouse of Robot God has just returned with their “Valleys of Primordia”. Merely a year and a half after their excellent debut “Silver Buddha Dreaming”, the Australians deliver a masterclass of heaviness, with a tone that will make your speakers breathe new life. Two songs, with a length of ten minutes each, completing one another on this short but most enjoyable ride through the “Valleys of Primordia”.
Continue readingThree days ago, the French stoner rock power trio GREYBORN released their new video for their killer latest single “Bits & Pieces”. If you are a fan of QOTSA-fuelled bands like Patron and Royal Blood, this tune will getcha for good!
You will have noticed that January 2022 has already started with some incredible albums, many of which are finding their way on this month’s Doom Charts. Among these, Interstellar Smoke Records started the year with a blast! The vinyl reissue of Taraban’s 2019 masterpiece “How the East Was Lost” was released on the 16th of January 2022. Those who know what this means have already secured a copy of the limited edition wax. The rest of us will have only recently discovered the band and we have some serious catching up to do!
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Named after the fruit Pitaya with it’s scale-like skin, “Dragonfruit” is the new album by Plastic Woods from Andalucia, Spain. Following their debut “Icarus” album of 2019, “Dragonfruit” is a rich palette of progressive stoner rock sounds that hops across decades and genres with remarkable dexterity, demonstrating the band’s musicianship and crafting a unique sound.
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Sweden’s Altareth released their debut album earlier this month, and what a debut album it is! The self-titled song draws you into a vortex of heaviness, bringing to mind the thunderous sound of Acid Mammoth. There are some glorious moments in songs like “Satan Hole and “Eternal Sleep”, where the band unapologetically wears its Sabbathesque roots on its sleeve. It is, however, in tunes like “Moon” and “High Priest” where the band truly starts to own the genre and find its own unique voice. Excellent work by the rhythm section, with a steady and menacing confidence, driving the tunes as it keeps pummeling all the way from the first note to the very last.
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Desert Vulture 